The Others – Twelve

Image credit: Aleshyn_Andrei

Image credit: Aleshyn_Andrei

Natalie was waiting for me at the door to the club the next day right on time, just as I expected. She had the key to get in, so she had to be there first, and she seemed a polite girl, and punctual as she claimed.

In the daylight she looked pretty but more ordinary. I don’t mean unattractive, but something about the shadows and lights of the club had heightened my sense of her and her mystery. On greeting her I was struck by how absurd it all seemed. She was just a normal girl.

But this normal girl disappeared regularly on film I reminded myself. The evidence spoke louder than any of my impressions could do.

She remembered me. I wasn’t sure if this was a good thing or not. To tell the truth I felt a bit embarrassed by that.

“Oh, it’s you,” she said as she keyed the lock to the club door and opened it for me to enter ahead of her. There was no particular humor or edge in her voice as she said it. It would be impossible to know if she found it bizarre or pathetic that it was I, or if she suspected – as I feared – that this had suddenly become an elaborate pick up routine for someone who failed so badly at it a few nights before.

I wanted to say yes, it was me, and I wasn’t out to pick her up or anything but felt I would seem even stupider then. Instead I opted for:

“Yes, my name is Peter Reynolds. I’m a film maker and cameraman. I’ve been filming the club for a while for a project I’m doing, and I decided to come on down, so to speak, and join the revelry the other night.”

She followed me and I turned to her. She stopped as I stopped. We were in the foyer area just before the doors to the dance-floor and bar. In the darkened light she looked like an echo remaining resolute in the now emptied room, and in a way that struck me as very right.

“We can go through,” she said, motioning her head towards the door behind us. I took the cue and opened the door to walk through, “It will be more comfortable there.”

We settled on sitting at one of the tables in the usually ‘darkened’ area of the club. She sat rather primly, but did not telegraph any sense of unease or fear. Importantly she wasn’t creating one in me either. She seemed utterly normal and very nice.

“Are we interesting then?” she asked.

“Hmm?”

“To film, to watch? Do you get anything interesting?”

“Well, it’s funny you should ask that. But before I answer, can I ask you some questions? There is a reason for this, I promise, and it has to do with filming you. But they might seem odd at first?”

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Twelve

Image credit: Robert Neumann

Image credit: Robert Neumann

We settle on three times a week. He comes ostensibly for an hour on Tuesdays, Thursdays and Fridays, after his law lectures and tutorials have finished for the day, but always stays longer than the allotted time. He draws and sketches under my guidance for the hour then we talk and sometimes share a meal, some wine. While he draws I am a stern master, I am relentless in bringing his art out of him. I think I frighten him somewhat, and reflect that he would be even more frightened if he knew of the powers of my own secret Art. But he need not fear me. I could never hurt him, never touch a hair on his head except in tenderness.

I have not painted any more ‘future’ paintings since we met. I have not seen the need. I want our actual relationship to be free of this, to follow its own path, or so I believe at first.

He is a lively conversationalist. He is very intelligent, and this is true beyond all bias I may be permitted by my love. He is very proficient in his legal studies. He hopes to be admitted early to the Bar and from there to have a colourful and celebrated career in the law. His grandfather was a Queens Counsel, anything less would seem like failure. But he also wishes to explore his creativity, so he comes to me. I encourage him, it draws us closer.

– Do you think I suffer from hubris Paul, to want both the law and also art?
– I think one must have ambitions, and the loftier the better. In your case, I think you can have both. Beautiful boy, do you not know people such as yourself are the darlings of the gods?

I am allowed florid language because I am an artist and a celebrated one.

– Whatever do you mean?
– Physical beauty is its own ticket. You know this, do not deny it. Never be dishonest with me, I will see through it and it will hurt your art. You know this to be true.

He stops his sketching and looks at me with his incredible eyes. On our better acquaintance I know now his eyes to be large and a very pale grey in colour. I have never seen eyes like them. They are calm, like a storm covered sea before the tumult, or perhaps like the first dawning of the morning after the deluge, before the sun can paint the sky.

– I know that people tend to..indulge me because of how I look..but not always..not always
– Come now, what has been denied you?
– More than you might suppose…I cannot have everything I want..sometimes what I want most seems..impossible..completely and utterly unobtainable..

He looks away, a deep regret in his eyes. He is speaking of someone or something specific. Hope flares in my heart. Did he speak of me? Does he see his mentor as so far above him that he cannot be reached? It is too soon to test this, too soon, but hope makes us willfully blind. Or perhaps it destroys our critical faculties, our sense of examination. I settle quickly and desperately on the interpretation that he is speaking cryptically of me and do not entertain for one conscious second that he could speak of anyone else.

In my apartment, in our private world of art, there is no-one else. It is unthinkable.

– Perhaps even what you do not expect can be yours

I suggest. He looks at me doubtfully, but hopeful.

– Do you think so? Do you always get what you want Paul?
– Rarely

I am bitter for a moment, and aware he has mis-understood me. He is everything I am not, so he will have what he desires far more easily. It seems cruel and heartless to compare as he seeks to do.

– Really?

He seems genuinely surprised. He has stopped drawing entirely now and is just looking at me, eager for some other kind of knowledge. I realize he is innocent to the harm he has done and may continue to do. It is not his fault. He does not know. How could he know my experience? How could any other, for that matter, and particularly one so different?

– Richard, the world is not as kind to me as it might be to you.
– But you are famous, celebrated..
– Yes, that came to me in time, but when I was your age, my life was far more circumscribed. I was eternally aware of my own ugliness, to the same degree I think that you are innocent of your beauty…
– You’re not ugly Paul

I shut my eyes. I couldn’t bear to look at him and his ill-judged generosity.

– Please..
– No, Paul, you’re not..why would you think that?

I opened my eyes. I couldn’t speak. I shook my head at him, warning him to stop. But his hand reached out and touched me! Touched me! And there, there..oh, for the love of god..there on my harelip..a tender, gentle touch, unafraid, almost in wonder.

– Is this why you think that? This little thing?
– This little thing as you call it is not little to me..it is a disfigurement
– You can hardly see it Paul..they did a good job on it
– You see it Richard!

I am trying to warn him to stop. I cannot bear it, his kindness, and the slow, creeping realisation that perhaps it is not kindness at all, perhaps he really believes it..perhaps I am not ugly to him. It is too much. Everything I have hoped and dreamed of but schooled myself to never, ever expect. Ongoing pain is easy compared to this – you get used to it, you adapt. The hope of..acceptance..is far harder. I do not think I can cope with that. I am close to tears.

– I see it, but it’s not that much..it’s almost..charming..Paul..your face is..beautiful in its own way
– Don’t patronize me
– Oh God, I’m not..I would never!

He is genuinely distressed. He stands up and walks away, looking out the window behind him, as though he believes he has lost the right to look at me.

– Paul, please..

He says finally, still not daring to turn to look at me.

– I am earnest..you are not ugly..not in the least..you are distinguished, your form echoes your art and your soul..I don’t think..I really don’t think..an ugly man could paint as you do

With this he turns to me, but I see this only in my peripheral vision, for I have turned away myself, to hide the tears in my eyes.

– You know so little

I say, derisive, self-defensive.

– Perhaps

He says, his low, sonorous voice like a siren call to me across the room.

– But what I know, I know is true

(c) Helen M Valentina 2015, All Rights Reserved

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The Others – Eleven

Image credit: XiXinXing

Image credit: XiXinXing

George remembered her all right, but in an interestingly odd way.

“Natalie? Yes, the little dark one. Rather cute. But she’s very small or something, isn’t she? I know she does her shifts because she always signs on and I see her coming and going from time to time, but the rest of the time, you don’t even see her…bit of a shame that,” George mused.

“She’s delicate,” I agreed, “Easy to lose sight of, but the camera has a…special relationship with her.”

“Oh?” There went George’s singular eyebrow, up again, irritating me intensely. He also looked like he thought I had filmed her naked or something.

Ah George! Hope springs eternal, doesn’t it?

“Yes. I don’t want to go into that yet” I said, riding over George’s immediate disappointment, “But I have an idea to make the whole project more interactive..”

The eyebrow again. I’d like to bloody interact with it, I can tell you.

“Stop it George, I can see what you’re thinking..”

“So you’re going to disappoint me Peter?”

“Not necessarily, but what I’m not going to do right now is tell you…” I replied, “You’ll just have to trust me. Do you think you could arrange a meeting between us?”

George looked quite put out. He’s a lovely guy in many ways, if you can excuse his prurience and this laziness in the pit of him. He doesn’t like being asked to do things much. It triggers a deep stubbornness in him and he tends to go silent and just not budge. This was perhaps due to a domineering mother, followed by a domineering ex-wife. Come to think of it George was a psychologist’s wet dream, if he could ever be encouraged to actually go to one.
This time at least he was roused to debate it slightly, so I knew I had a hope of persuading him. If he said nothing at all to something, you knew it was over. There would be simply no point in pursuing it.

Not that that always stopped me. I can be stubborn too and I’m a bit of a sucker for lost causes it seems.

“Why not just talk to her at the bar?” he asked. That would be easier for him of course, leaving it all to me.

George will never be anyone’s wingman, of that I am sure. Though it probably also wasn’t an unreasonable question to ask, given he didn’t know the particular circumstances.

So, why not indeed, however George was hardly the sort of person I was going to explain that to – not yet, anyway.
“Too many people, too much noise. I want a proper discussion. I’m not trying to pick her up.”

“Wouldn’t blame you if you were..but yeah..ok..she’s a bit odd, isn’t she?” he agreed, suddenly reflective.

“What do you mean, odd?”

“Don’t know really, just can’t..quite..put my finger on it..or her..” and he laughed at the last few words as though he’d just made the most clever joke in the history of man. I didn’t laugh, and he sobered up quickly, plundering on into the silence “I understand she has trouble keeping jobs. She told me that. She said she’d be loyal and punctual and everything and that she always was, but she’d found it hard to get some employers to notice that..”

Interesting.

“I told her not to worry,” he continued, warming to his theme, “I always notice those qualities. Not to mention a little sleek body and lovely wavy fair hair, and those eyes that look almost always on the verge of tears..”

There he went again. If I didn’t stop him before long he’d be extolling the virtues of women who buckle easily under pressure. I didn’t think she would, and I wondered if he’d ever experienced the fear she could evoke. Probably not. She wouldn’t be employed anymore if that had occurred. He just probably didn’t notice her enough to feel it, and good thing too for her.

I suspect George sees the stereotype of people, or at least women, rather than the actual people themselves. And this would make him an ideal employer for Natalie in some ways.

George agreed to set up the meeting eventually. Muttered that he’d offer her overtime if she wasn’t keen on the idea, and said he’d ring me later to arrange the time. When he rang and told me she’d meet me the next day at about midday at the club I was half frightened and half exhilarated. It turned out she wasn’t reluctant at all.

“When I told her a film maker wanted to meet her she was so surprised I think she agreed immediately. Said the oddest thing actually” George told me.

“Oh?” I asked, though I had already almost guessed exactly.

“Said she was surprised you’d even seen her.” He guffawed. “Aren’t women funny eh?”

“Very funny George,” I agreed, “Very funny indeed.”

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Eleven

Image credit: Valeri Potapova/shutterstock.com

Image credit: Valeri Potapova/shutterstock.com

We meet as I have painted it. I have emerged like a butterfly from an interminable chrysalis, out on the streets, and we literally bump into each other as he rushes down the pathway oblivious to my approach. It seems you can almost paint a temporary blindness in your subject. I should have been visible from a long way back and he was not so quick on his feet as to err so easily. Yet, the painting will have its way. He is carrying books in his arm, again as I painted, thinking of all contingencies and ways to facilitate a first conversation. As they fall we also bend, simultaneously together, to pick up the texts.

There are legal books, heavy, ponderous, then beneath them a couple of texts on art. My heart rises almost to my throat. Art. I hadn’t thought of this at all so this was true, true of him, not fashioned by me, but so perfect as to be almost preposterous. And in tandem with the law, what a strange combination for my beloved. And even more there is a folder, collapsed between us, with sketches, now spreading out on the ground, threatening to blow away in the wind. Our hands grab each item greedily, hurriedly. We speak as we do so but do not look at each other. We are two inhabitants of a moment in time that has become an accident, we both seek to remedy it, but one of us knows it was not accident at all.

– I’m sorry

I say, apologetic for more than he realizes, but secretly triumphant, then continue;

– I did not see you till it was too late
– No, no, no..really, it was my fault

His voice is lovely, quite deep and divine, a voice made for reading poetry, drunk on wine.

– I was in too much of a hurry, I didn’t see you, and the ridiculous thing is, I don’t even know why I was hurrying..I didn’t think my caffeine addiction was that bad!

At this moment we have collected all the fallen treasures. He is crouching on one knee, the other leg half raised to give his books and his arms a place to rest. I am similarly positioned, looking at him. He is amused by his own observation and a sense of internal silliness. His eyes dance into mine.

– A caffeine addiction is understandable. There are worse addictions
– There certainly are!

We stand, and I am handing him some of the texts I have picked up, already panicking that this moment may be over too soon and without further conversation. I only painted this exact action, no more. I think dryly and with some regret and humour interlaced that Cliff may have a point about the advantages of animation. But the point passes as quickly as it rises, for my beloved is suddenly quite excited.

– I know who you are!

I am frightened for a moment that he somehow does know of my game and how I have sought to control his actions. I fear being caught out, being uncovered, being exposed, and shrink back slightly, still holding some of his texts, causing him to move closer and become all apology once more.

– I’m sorry! I don’t mean to alarm or offend you. But you are Paul Richards aren’t you? The painter?

The name Paul on his lips is actually like music. I am amazed. I shudder with pleasure, which again he mis-interprets, and he continues for I am incapable in that moment of speech.

– It’s just that..I’m..well I’m a law student, but my passion is art..my family..they wouldn’t approve of that…but I know your work..I love your work..and I’ve seen photographs of you..so..it is you, isn’t it? I’d heard you lived somewhere around here…
– I am Paul Richards, that is correct.

I hand him the last of his books, but not the few sketches I have retrieved from the greedy wind.

– Are these yours?

He blushes.

– Yes, but they aren’t…I’m sure they are not…proficient…I am better with the law than with art..I’m embarrassed for you to look at them..you are a master..and I…

And you, I think, you are my beloved. You need never be embarrassed with me. Besides, they show some promise, these sketches. He will never be a great artist perhaps, but he will be a competent one, with guidance. I feel the hand of fate above me, over-arching my own power and will through my paintings.

– These show promise. Do you have a teacher?
– No, not at all..it’s just a hobby..a passion..but..I study the law not art
– Would you like a teacher?
– I can’t afford one…
– Can you afford the time?

He understands where I am leading him and he is part eager, part afraid. He does not know my motivations, but I am promising him something he had thought out of his reach. He does not understand that even just in this moment, in this exchange, he is doing the very same thing for me.

– Of course I could, but…Mr Richards..
– Call me Paul…

I amaze myself in this moment.

– Paul..are you offering to teach me..can I presume..because I can’t pay you…
– I am offering, and I have no need of money. I make quite enough of that. But it will take time. I live in an apartment in that building over there. Number twelve. You can come there as often as you like, but I would suggest at least two times a week, and we will see what knowledge and skill I can impart
– Why are you offering me this? You don’t know me..

He is suspicious. Perhaps the beautiful must learn to suspect all approaches to them, no matter how useful they may appear. I am momentarily offended, but I hold back, trying to understand, because the wrong answer in this moment destroys everything. Everything.

– I like your drawings. And when you have a gift it is sometimes required that you pass it on..like a spiritual law..does this make sense?
– Yes, yes I think it does..
– Perhaps not a law you will find in your other studies?

I smile, amusement in my voice, some irony. He smiles back, a deep smile, a sense of camaraderie, and my heart races ahead to possibilities I can have no way of recognising fully as yet.

– No, I doubt that. Look, thank you..I would love to do that..let me..buy you a coffee at least..were you going to the café?
– Yes, I was, as it happens, and that would be delightful. We can plan your tutelage there and then.

And so it begins. The mentor and the student walking side by side in companionable silence to the café. We sit at a table that I consider ours, though he does not know, and we plan a future I have already rehearsed in my mind. I am not surprised, not any more, even by the vicissitudes of chance that attend this moment. I did not paint that he would be an artist, but he has an artist’s soul – I can see this in his eyes. And how else, in any case, would my beloved ever come to me, except through art?

On the way into the café he tells me his name is Richard.

It is perfect.

(c) Helen M Valentina 2015, All Rights Reserved

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The Others – Ten

Image credit: Stokkete

Image credit: Stokkete

So, the experimenter becomes more a part of the experiment than he intended. I was galled at my own lack of focus, or sustainability, or whatever it was, but I was even more fascinated than before. First this girl appeared and reappeared on film like some will o’ the wisp – whether by design or by accident I had no idea. But beyond this, it seemed proximity to her at a moment when withdrawal from sight was nigh brought about a preternatural fear and sickness in others (as I presumed I would not be alone in this) so that one must wrench one’s focus away or collapse in illness or fear or worse.

And that withdrawal was so complete as to not only affect the eye (mine or the dissociated camera) but also the memory and the sense of surroundings. Until I got away from the field of influence, or whatever it was, and remembered my filming, the whole thing simply ceased to exist. Perhaps if it hadn’t been for the filming, I’d never have remembered her at all. I suspect that was the case for most. After all, what would trigger them to remember a barmaid they’d so willfully forgotten?

What did this mean for human consciousness? Is it a survival instinct of the mind to eradicate memory through repression rather than fully view the highly strange? Is focus and attention more complex than we think, so that not only is memory unreliable over time but even in the moment if the mind detects a stressor that is sufficiently immobilizing?

And, if my memory did not trick me further about this actual phenomenon, whatever had taken its place in the surrounding scenery elicited an extreme level of fascination – a girl I might never have looked twice at before became like a goddess.

My god, if Natalie had lived with this impact in high school her friends must have got lucky a lot. Poor girl.

But, despite all sympathy I might feel for her, I found myself at the horns of a dilemma. For if this was what happened when one tried to talk with her for any extended period of time, how was I to sustain an interaction long enough to learn what she knew of this, how she felt about it, how much control she might have over it? And if I couldn’t do this then my filming was peculiar at best, an unfinished story before it had even really begun, a mystery I couldn’t solve.

What was I to do?

Then it occurred to me that possibly she couldn’t – either willfully or accidentally – cause this impact if there wasn’t something else – or more to the point someone else – to take the attention of the other. Otherwise surely others before would have noticed her peculiarity. Maybe one on one discussion and meetings with her seemed totally normal – maybe she was at ease in them. Maybe it was the combination of many people, many attentions, that caused her disappearance. Or it might be that only the intensity of a completely focused attention, without distraction, could keep her in sight and in mind at all.

Something like that would have to have happened for George to employ her in the first place. If he couldn’t remember or observe her within moments of meeting, if he’d been forced through that peculiar vertigo to lose conscious knowledge of her existence as I had in the moment, he’d never have offered her a job, never have signed her on. But since most of his proximity to her occurred thereafter in the club where other factors created a greater instability of her form, his lack of recall about her in general terms might be explicable.

Would he remember her if I spoke of her? I remembered her the minute I had another association, the filming, so surely he’d remember employing her if prompted. And if so, perhaps he could be persuaded to arrange a meeting between Natalie and I in more secluded surroundings, even if it was just at the club during the day when it was basically closed.

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Ten

Image credit: fotohunter

Image credit: fotohunter

It became an experiment for me. I had never been much of a conventional, bookish scientist at school – the tables of chemical compounds and values had seemed like another language, wholly inexplicable to me, and cutting up frogs was repulsive. However, the concept of experimentation appealed in some manner. The precision of the experiment and the controls, the keen observation and recording of results had something of the artist about it. An hypothesis must be tested from all angles, much as a painting must take into account the three dimensional subject replicated in a two dimensional form. Aspects of light, of movement, of physics and even of humour should be displayed in art. Proportion, balance, the occupancy of space and time – all these are common both to the arts and to science. At some point they may intertwine, and this may be what magic is in the final analysis. Like this magic of my own that I sought to test.

I had to determine tests that were unlikely but possible – I could not have him flying in the air or turning into some shapeshifted animal – this was absurd. Somehow I knew, I intuited, the limitations of this new potential power. I could only move my will in accordance with general physical possibilities much as a god might be constrained after establishing the framework of existence. Aspects within reach had to be consistent with the scene in which he had appeared to me – I could not imagine his life outside of this piazza and so could have no confidence in enforcing situations beyond these bounds – and even had I felt capable of this, I would have no way to test the efficiency of my will in places beyond my experience.

Nor, though my greedy heart already wished to fashion in this manner, could I accurately paint love and adoration. I could paint with love, but how to portray it returned? I was afraid of rushing too soon into this unknown field, and already aware that my own imagination had its limits, and therefore so must my art. Can you paint the look of love such that it is impossible to interpret it in any other manner? At best I knew I could paint situations that were suggestive of love. But that should wait until the power itself had been thoroughly examined for its replicability and its endurance. If I were to paint, for instance, a meeting between us, I needed to know that it would occur reliably as painted. This Peirot would not search out his Columbine without certainty. I feared the pain of rejection far more than the discomfort of denial.

So the experiments began. Fashion was tested a number of times – each time slightly more daring or more unusual than the last. Each time my paintings came to life. By the fourth morning, seeing him in purple slacks and platform shoes (ridiculous on a tall man such as himself) I became confident, and almost chided myself on the point that I had tested my love to the stage of absurdity. The looks he received that morning were not entirely ones of admiration – often a look of perplexed wonder trailed in his wake. He saw this no more than any other gaze in his direction so he was not hurt by my experimentation, but still I felt ashamed to place him in this position.

It may even have been that I momentarily wanted to bring him down, closer to my level, and this is absurd, it could never be, but the willful heart that is learning its power is as narcissistic as a child. I resented the brightness of his youth, his potential, his beauty, even as I adored it.

I then tried more ambitious tests. Meetings of types of people. I expected to fail, for how can I fashion people out of nothingness? But perhaps I had some concept of the types of people he would know – and perhaps there are only so many types of people anyway, so the movement from canvas to real life is not as hard as I might have suspected. The experiments were not entirely successful however – hair colours would be wrong, or stature – even on one occasion the sex of the person – but if I painted him meeting someone, he did, and there would be enough identifying characteristics that fit to outweigh any slight imperfections.

I learned from this that the power was better to the degree that you knew your subject. But it had some resonance nonetheless in absence of such knowledge.

In my numerous tests I made him more popular and social than he had earlier seemed. I grew tired of this and jealous of the companions I had summoned for him through paint and brush. I moved on to changing his inclinations slightly. I would have him arrive from a different direction, or paint his gait as slower. I felt bad for the latter, it came about quite clearly from him having injured himself, a sprained ankle it seemed. He limped. I painted him a speedy recovery of course.

I tested for one whole month. There was no stage where a painting did not come predominantly into being. I grew in knowledge of my power. I grew more confident. I knew I could be one of those who met him, apparently accidentally, but paint a welcoming response from him. From there, nature would have to take its course, but I felt confident of a beginning.

And for me a beginning was more than I had ever dared to hope for. I would meet my love, I would learn his name and of his life. I could reach out from my shell and know I would be received.

I was intoxicated with the power and the promise of love.

(c) Helen M Valentina 2015, All Rights Reserved

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The Others – Nine

Image credit: Pressmaster

Image credit: Pressmaster

I’m an idiot sometimes, but anyway….

I deliberately waited to go to the club till about midnight. I’d never seen her disappearing act before then, and often it wasn’t till after 1am at least. I dressed in fashionable but ubiquitous black. I spent a long time on my hair, gelling it up to the perfect dark waves, and I chose light blue contact lenses (oh yes, the irony of a film maker with short sightedness eh?) to accentuate my eyes. I wanted to look good for her. It seemed to me that I’d have more success in getting her to stay to be observed at if she wanted to look back at me.

The music at The Inferno is not really to my taste, and the average clubber is younger than me – I’m nearly thirty (yes, I took a long time over my first degree. As a friend of mine joked, first year university was the greatest five years of our lives…) and most of these punters look barely out of diapers. But I have been blessed with one of those eternally young faces. I’ll look twenty five when I’m fifty as long as I keep my hair. So no-one looked twice at me when I traversed the dance-floor, heading towards the bar, except on occasion (I flatter myself) to observe with sexual intent.

I didn’t waste any time. She was visible still. Thank god, since it seemed it wasn’t just to the camera eye that she became invisible, as I have said. She was wearing her wavy hair up in a kind of messy chignon, and when I reached the bar I realised she had a small gold cross on a chain around her neck. When she was nervous she would touch it, sometimes grab hold. I’d seen this mannerism on the film though it wasn’t clear and close enough to know what it was she clutched so protectively. Now I knew, but seeing her doing this made me worry that she might start to waver before I had a chance to make contact.

Don’t be nervous, I thought in her direction, please, not yet anyway, not yet.

I saw her nametag on her uniform, just above her breast.

“Natalie” I recited, looking her direct in the eyes.

“Yes sir,” she answered, ever polite, as George would have schooled her. “What would you like?”

“What would you suggest?” I teased her. A faint look of disgust or ennui flickered across her face, but she stilled this, enduring me. She didn’t reply though, just waited for my order to fall into the increasingly uncomfortable silence between us.

“I’ll have a vodka tonic,” I said, falling back on a staple.

She started to make the drink. Her movements were practiced and precise. I watched her unceasingly. There may as well have been no-one next to me on my side of the bar, because whomever was there – vaguely apprehended through my peripheral vision – was of no consequence at all to me.

She handed me the drink and I handed her money. I touched her hand slightly as she took the payment from me. She seemed neither to notice nor mind my touch.

“Have you worked here long?” I asked.

She looked at me, astonished. I do not know if it was surprise that someone seemed even vaguely interested in her, or if it was that such interest did not seem immediately prurient and laced with double entendre. Again I cursed the lack of audio for my filming – it would almost have been worth breaking the law just to know.

“For about a month” she replied, letting me know instantly why it was only in the recent days that I had finally seen the phenomenon on the film.

“Do you like it?” I asked.

“It’s all right.”

She looked away from me, up the bar, to see if anyone else was seeking her attention. Everyone seemed occupied. She looked back to me, almost slightly panicked – or was I imagining it? It was as though she knew if it wasn’t for me she could just fade away now. And I wasn’t sure if that was something she wanted, or something she feared. Perhaps both.

“George is a friend of mine” I said, feeling some stupid urge to boast. And why that would be something to boast about is beyond me, as I think about it now, but hey, you use what you have.

“Who?”

“George, the bar owner.”

Her eyebrows raised and she half smirked.

“Oh” she said, “Lucky you.”

I realized suddenly that I felt somewhat at a loss. This is unusual for me. Talking to girls has always been easy for me. As I said, for some reason they seem to like me – I’m not boasting here, it’s just a fact. Normally I just have to approach and remain approachable, so to speak, and they do the rest. Natalie wasn’t like that. There was something like a wall up around her. I don’t know how else to describe it. You felt as though you were essentially uninteresting to her, that even though she might talk with you – in fact even if she did so openly and apparently intimately – that something else, something essential to her, remained aloof. It was like she did not even consider you one of her species. At best, I thought, one might be treated like a favorite pet.

It was extremely uncomfortable. I found myself partly angry and offended by her, even though she hadn’t said anything offensive in the slightest. I was also, if I was honest, somehow partly afraid of her. I became aware that I was perspiring, and it wasn’t the heat of the club. The sweat tickled slowly down my throat, as though to give me away. My stomach was coiled.

“I’m not sure it’s lucky,” I answered, taking a drink from my vodka, frightened that my hands might be shaking. Thankfully they weren’t. Apart from the sweat, any signs of my fear were not apparent. They were private to me.
She leaned forward, smiling slightly. I wanted to lean towards her but found myself moving an equal distance away. I don’t even know why. If she noticed this she didn’t show it. Perhaps that was normal for her. Perhaps people always did that.

“George is ok,” she said, almost conspiratorial. “Though he rarely gets my name right. I think he forgets I even exist.”

“Short term attention span,” I joked. “He’s a goldfish.”

She laughed. She got the joke. I felt ridiculously gratified by that. My fear abated somewhat. I chided myself for letting myself be spooked by the film I’d seen of her. She’s not a ghost, I told myself. She just films like one.

I was feeling a bit better. I started to edge towards her again.

Then something happened. I started to feel a bit ill, a bit nauseous, like motion sickness. As a kid I’d suffered from frequent ear infections, and this sense of disorientation was very similar. For a horrible second I thought I might throw up. I forgot how I saw this reaction in others on film. It didn’t occur to me – nothing occurred to me in that moment except the onrush of illness, or vertigo. She was stepping back from me. I wanted to lurch over the bar to her, as though holding her would steady this sense of dislocation and dizziness that assailed me. I wanted something. I looked at her, almost pleading. Help me, I thought.

I wanted something.

Then the girl next to me at the bar touched my arm and said hello. I blinked rapidly at her. It felt like I was just waking up. The nausea started to recede. I noticed how pretty the girl was with her wavy blonde hair and her very full lips. Lips that were smiling at me. I felt a tingle of excitement.

I looked at her curves appreciatively. She seemed very fascinating. I guess it was lust. She wore very large hoop earrings and a matching gold bracelet, the latter of which I noticed because she reached out and lightly touched her hand to my thigh. A small tease, then she withdrew.

“You look like that guy from television” she said to me.

“Which guy?”

“Can’t remember his name. He’s a comedian I think…”

I smiled at her. I knew whom she meant. People said that a lot. I wasn’t sure I was flattered by it, but it was useful. It could be very useful now. I just found everything about this voluptuous light creature quite mesmerising.

“My name’s Lisa” she said, holding out her hand. I shook it.

I seemed to remember feeling sick a few minutes ago. It was a strange memory, like something I observed rather than experienced. Perhaps it was just the noise in the bar, the incessant music, pounding in my head. Music I don’t even like, why am I even here?

It didn’t seem to matter and I couldn’t remember why and I didn’t really care. Sometimes you just end up in places without any good reason I supposed. I looked at my drink, and at her empty glass.

“Can I buy you a drink?” I asked.

“A cosmopolitan would be great” she agreed.

I looked over the bar. A redheaded barmaid allowed me to catch her eye and I ordered for us. I had this strange feeling I’d forgotten something, like losing your keys but knowing somehow, before you need them, that they are gone. Useless knowledge of course, quite pointless, but I couldn’t shake it nor place it either. I proceeded to talk with the girl.

I didn’t pick up though. Her boyfriend arrived soon after, and disappointed, I decided to leave. I got the distinct impression that had I been the television personality I apparently looked like they might have been up for a threesome, but an unacclaimed (as yet) film maker didn’t cut it. Typical for the sort of people who go to clubs like that, I thought to myself with a slight pique and a very real dash of pretension and unearned elitism. After all, I’d just been one of those people in one of those kind of clubs.

As I stepped out into the night air my head seemed to clear somehow and I wondered why I had bothered to go there at all. Surely the filming could look after itself, I thought wearily.

Then I was completely awake in an instant. The filming! The girl! Natalie!

She’d disappeared and I didn’t notice. I didn’t notice any more than anyone else after all, even though she was the only reason I’d gone there. She’d disappeared not only visibly, but also from my mind, in the same instant.

I had to go to the film viewing room now. I couldn’t wait till 3am, or till tomorrow. I had to see it for myself, though I already knew what I was going to see. And so it was. Some poor schmuck (me) trying to chat her up over the bar, only to suddenly sway in his seat as though he’d been shot, then just turning, turning, turning to the girl next to him, and in that moment, of course, Natalie wavered and disappeared. Gone to me, and gone from the film.

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Nine

Image credit: altanaka

Image credit: altanaka

I gazed at the painting, then out to his form in the café. I looked back and forth and back and forth letting the truth emerge slowly, no matter how hubristic and impossible it seemed. What do they say – that when all other possibilities are proven false, whatever is left, no matter how improbable, must be the answer?

I am an artist. I am a creator. It took time for me to accept what this meant and to what degree. I cannot stress too much how long it took for me to fully comprehend and assimilate this thought, how many hours that day I sat in frightened contemplation. But it is important to at least acknowledge this so that you do not think me too vain, too insane, in finally admitting the truth.

I had painted the future. And not a likely future that I might have intuitively, or even psychically foreseen – he would never have changed his garb without coercion from some force, some intelligence – it was not a future that occurred separate to my desires. It was the future I fashioned and painted. So I created it.

What I painted came to be. I could will a future through my canvas and it would come to life. The possibilities of this were both frightening and intoxicating. But would it happen again? Was it like a trick of the light, possible in one split second through some glitch in the universal fabric, not replicable, a moment of power that, in its passing away, became another totem of human impotence? Or was it more?

So you see, I had to try again. I had to know. Both to know my own power and its potential – the ego reaching for knowledge of itself – but also for whatever might be between my beloved and I.

Once I realized I might be able to paint a future between us, I had to go on. The thought, once conceived, could not be banished. I had to know the limits of my power and my love.

(c) Helen M Valentina 2015, All Rights Reserved

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The Others – Eight

Image credit: Wavebreakmedia

Image credit: Wavebreakmedia

Any academic researcher would of course put their hands up in horror about what I decided to do at that point. An artist or a filmmaker might not care so much, though it would depend how ‘purist’ they were about their original intent and the medium they were using. But in either case, I could imagine the consternation some might feel because to some extent I shared it, though not enough to dissuade me from my course. I was going to do the one thing the experimenter and researcher should never, ever do. I was going to put myself in the experiment.

I’m not camera shy. I’m actually a reasonably good-looking guy, really. I work out semi-regularly, and I’ve been blessed with good genetics. So being on film doesn’t perturb me. It’s just that generally it doesn’t interest me much either. I’d never want to be an actor, for instance, or even a documentary ‘host’, talking to the camera about my observations. I prefer the pictures to tell the story, perhaps with some audio narration. I’m not a narcissist really. I prefer to watch than be watched.

With what was to follow, that’s probably a good thing. I’m not sure how an over-sized ego would have coped with what I was about to find. Man likes to think he’s the top of the evolutionary tree, at least on this planet. But what if he’s not? A revelation like that could be difficult to take if fancy yourself to be an incipient master of the universe, only to find you’re a pretender, at best, to the throne.

But I wanted to see what would happen if someone who knew what this girl could and was doing intruded into her space and her film to be with her while she was trying to do it, and let the camera show it all. I wanted to see what would happen if knowledge stepped in across the picture. There wasn’t any other way. I was hardly going to tell anyone else about my discovery. That would be like giving away the keys to a kingdom I hadn’t even visited yet. I’m neither that generous nor that stupid.

Besides, I liked the girl, I’ll admit. She was pretty and seemed a little lost. I had this internal conceit I think, the idea I could be the hero that found her, the prince that woke the sleeping princess, or something like that.

A friend of mine talks about her supposed ‘rescuer complex’. She thinks she spends most of her time saving people, mainly men, from themselves. Still, from my observation she seems a bit too pre-occupied with herself to save anyone much. Perhaps she saves men because having them in her life says something about her, something essential she needs. It’s certainly true she can never point to instances of even attempting to save women. Still, who am I to judge, really? Perhaps she does all that saving when I’m not around, and my purpose is to just hear about it.

Or perhaps she thinks she’s saved me somehow, but god knows how. It’s a disturbing thought actually and I can’t help thinking, now that I think about it, that if she wanted to save men and include me she could have thrown some money towards my project. She’s very well off. So I probably wasn’t worth saving, just worth hearing about it all. Ah, how interesting to exist as nothing more than a cypher to another’s life!

I wonder if this flickering girl ever felt something like that? She seemed like a cypher to something at any rate, something strange.

This dissection of my friend is a bit ungenerous of me, I suppose. Because here I was, wanting to rescue this elusive girl, if indeed she needed rescuing, or at least – like my friend – I wanted to see myself as a rescuer. The white knight. So I kind of wanted to be the one who actually could still see her, no matter what, if that was possible.

I was all confidence, of course, I always am. Ever since my teen years, when I suddenly turned from frog into emerging prince, girls have liked me. That suits me because I like them. I’m perverse as the next guy though. I tend to particularly like the ones that don’t, oddly enough, like me, or not as much as I like them. I’m banal and typical enough for it to be all about the thrill of the chase, the predatory instinct. I expect this aligns well with those who like to watch.

And what is a better prey than someone that others literally can’t sustain seeing? It was like my ideal woman just dropped down on angel wings from heaven into my lap – or onto my film, in her own strange way. I had a crush instantly. How could I not? And feeling this, and the incipient wonder of the highly strange, of course I had to get involved, personally, in the story. Of course.

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Eight

Image credit: Kuznetcov_Konstantin

Image credit: Kuznetcov_Konstantin

How simply it begins, this fall from grace. I wonder if it was thus for Lucifer, most beautiful of the angels (and how could I presume to understand that?), but still, happening upon the thought of power – new, unbidden but complete – and therefore having to stretch, to reach, following the nature and the knowledge no matter where it led. We become complicit with our own ideas. I do not think we can escape that.

I could not have escaped. I do not offer this as an excuse – well, not entirely. It is also just a fact. The next day I began to see what I could be. I had not even imagined this, I would not have known where to begin, and besides, at first, there was always the possibility of coincidence, no matter how extreme. It had to be tested, scientifically, and if it fell away, then it was a chimera, nothing more. If it stayed, if it grew, then it was something else entirely.

But I am getting ahead of myself. Forgive me. I am ever like this, my thoughts have for so long been my only true companions, I race with them, thoughtless of whether any other person attempts to keep pace with us. You do not yet know, but have you guessed? Has my reverie given you a clue?

Before you judge all that follows, think of me at this pivotal moment – place yourself there – and then ask honestly if you would have felt differently, if your inclinations would have been so very alien to mine.

It was almost five past ten in the morning without sight of my angel. Sometimes he does not come, I wait till ten fifteen and then can bear no longer the empty (of him) piazza below (and being empty of him it is barren of all beauty to me now). Other times he is a little late and I forgive him this as an indulgent father might his errant son.

And then he appeared and my heart stopped in my chest, a silence in the cavern, a deathly hush of shock. For he came rushing up the pavement dressed exactly as I had painted him – as he drew closer the completeness of the transformation was wholly apparent. He waved to a waitress in the café and I saw the rings on the fingers, as painted, the flick of the saucy red scarf, and he reached and freed his lovely blonde locks from the red cap as he sat down.

What was this? I felt outrage at first, as though someone, somehow had breached the fortress of my apartment and reported to him in some dark and cruel complicity the painting I had so lovingly created. But that was impossible. I sleep too light for an intruder in the night and I have not left the apartment, even for food, in the past twenty four hours. And we know no-one in common from what I can tell, no-one who would take such an interest in my work and in him as to recognise and alert him and so quickly achieve such a hideous ruse.

I had spoken to no-one of him, let alone of my painting of him. It was my special secret. Not to be shared.

There could be no ulterior trick at my expense. It was not possible. My mind lurched from this truly repulsive concept with relief. I felt my heart again beating in my chest. The despair, fear and shame receded back like a tidal wave stopped just before impact. Dark clouds on the horizon receded. I could breathe again. I had not realized I had stopped.

So, how to explain? Could this be coincidence? The skeptic in me insisted it must be, but the equally pragmatic but more open side of my nature – the artist perhaps – could not accept this. It was too much. A red scarf perhaps, or the rings, or any other singular part of the ensemble may have been coincidence, no matter how strikingly different each was to his usual attire. But all combined? For this to occur must surely stretch the bounds of statistical probability to ridiculous levels.

So, how did this come to be? Had he heard me on some spiritual level – were we tied now at soul level so that the desires of my heart telegraphed to him and he complied, a willing lover in answer to my love? Did he read my mind? Was he really an angel, or some creature from another world, another place, showing his ability to me? But how could that be, for he did not look up at me, there was no hint of acknowledgement, or of mutual understanding. If he did this in answer to me he did not even seek my response. It was also impossible. If we communed on that level and he had sought to show me this, it would be inconceivable that he would not then seek to see the message received.

My beloved did not know of my painting or my desires or even of me. He did not respond consciously to the call of my heart. So what then?

(c) Helen M Valentina 2015, All Rights Reserved

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