The Others – Two

Image credit: smutny pan

Image credit: smutny pan

Still being fired probably wouldn’t have mattered all that much but my untimely unemployment cut off my funds for what I was really working on. I had this idea, you see, this concept, to film and work with the social interactions in this club owned by my mate George – a time-lapse photography kind of deal where no-one knew they were being filmed, and where I could look for patterns in relating and so forth and do a kind of social collage. I was thinking of eventual government grants for some form of documentary, but the idea was only in its infancy, and it was expensive to set up.

George was both willing and helpful. He didn’t charge me – generous creature – for access to the club and the architectural modifications to allow the filming. Anything for a mate, he’d say, though I think it’s because he thought it was cheaper than his security cameras and that he might get to see some filmic action from any of the girls who came to the club that he might fancy. George is hardly one for the altruistic gesture. I think it also titillated him when I told him you could film anyone, anywhere – even in the privacy of his or her own bathroom if you got access – and unless you had recorded sound it was totally legal.

There’s always been the slight whiff of peeping tom about George. You could imagine him lurking in quiet suburban streets at night, searching for open blinds and unsuspecting women. Though that might have required a degree of get up and go, a kind of actual physical exertion that was a bit beyond him.

Still, lust might inspire action in him, with a little additive of perversion. It certainly wasn’t art driving him. Still, god love him, whatever he was getting out of it meant he promised to cover me for the set up and who knows, maybe even help with some of the funding if my savings ran dry before I worked again.

Bloody Roger. His timing was impeccable, which was more than I could say for his producing. There was a reason he was still in shopping television at his advancing age. There was a reason he’d be there, no doubt, till the day he died. But just ruminating on his obvious shortcomings wasn’t doing much for me. I wanted to string him up by his own budget cuts, but life rarely throws you those opportunities when you most need them.

I should let that go, though, or you’ll think me obsessed. Or you might also call me flippant. My delivery tends to invite that description, but I’m really not. I just see things as they are. No finery and dressing up and disguise. That’s why I’m good with the camera, why I see things others don’t. Why I get the ideas. And that’s really what brought me to this other place before I knew what was happening.

But I’m not complaining. As I said before, there’s this whole other level to the world I had no idea existed. But now that I know, anything’s possible, because everything is so much weirder than I ever thought. When I tell you about it, you’ll understand, and perhaps you’ll forgive me my rather dry manner of speaking. It’s just a lot to take in, to process, to understand. Let me take you on an accelerated learning curve. I hope you enjoy the ride.
But I’ll try to be serious, and I’ll try to remember and relate everything, because it really matters in this story what you do and don’t see. And as the song says, when you get over the hill and you understand what it’s really all about, on a clear day you really can see forever.

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – Two

Image credit: Cranach

Image credit: Cranach

Three months ago I did not know my power. I was famous, respected, but remained essentially hidden. I always hated the pomp and ceremony of my exhibitions. I was known for being elusive, reclusive, and almost impolite. I was not censured; I was cloaked in my art, my skill, and my ability. Mostly in my fame. I had found an essential truth that was at once simple and paradoxical. For various reasons, which I will relate, I had sought anonymity, to be hidden, to be not seen by others. In the early days of my career this had been a difficulty, a problem for me – one must publicise one’s work after all. It seemed an eternity in hell, a necessary rite of passage. I supposed it would get worse as success stalked me, but I stalked success also, my art would not release me.

What I found, though, was that success is the best way to become hidden. What my agent once saw as problematic became a motif for my art – the enigmatic one, the recluse, and the hermit who emerged infrequently and briefly from his cave. What had once been a criticism became part of the mystique. I was forgiven everything that I had previously been criticised for – that is the essential nature of fame. Everything is forgiven, everything understood.

It was only in the harsh light of success that I could hide. No one sought to find what they felt they knew, and no one minded that I withdrew from their eyes.

I had to, as soon as it was possible, to endure further scrutiny would have been intolerable. I am an artist, but no work of art myself. I have suffered for my visage. My pronounced harelip, the most banal of disfigurements, prescribed my early life. There seemed little point in building a man’s body when I considered I had the face of a freak. I was told repeatedly that my face was ‘kind’, that I had through this physical vulnerability, something of the angel about me. I knew it was all pointless, though perhaps true it may as well have been lies. What was I to do with that? Who wants to be kind, or angelic, when it is only a fault that makes you so? It is only what others say when no other compliment is possible. It is the compensatory prize in this game of life.

And in my school years I was reminded of this daily by the cruel taunts of my peers. I withdrew to the art room where I could create what I never could be myself. I found I had an eye, a talent, and that I could communicate this through my elegant hands. My hands. One thing of beauty at least, creating another.

I learnt early also of my other ‘disfigurement’ – not in my eyes I admit, nor so much these days in the eyes of others, but when I was young, to love men rather than women, my own sex, my own kind – as though seeking in their beauty something I had been denied in my own form – was unacceptable.

Society’s laws have changed too late for me. All change comes too late for me.

(c) Helen M Valentina 2015, All Rights Reserved

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The Others – One

Image credit: IxMaster

Image credit: IxMaster

I’m the guy with the ideas. That’s how I’ve always been, that’s how I’ll always be. And my ideas have taken me to some interesting places I must say. Not places I would have expected, or even imagined in my wildest dreams – and I am capable of some epic, wild dreams I can assure you.

I just wouldn’t have dreamed my recent life in a million years. It’s utterly crazy, even to me. It’s also perfect. I have come to see that. I have come to revel in it. When you reach the precipice that divides accepted reality and real reality, and you just decide to jump off, everything changes, everything is illuminated.

Most of us walk dazedly and purposelessly through our lives with no idea that otherness even exists. I don’t know, perhaps that is just as well, and is a comfort rather than a lack. But for me now, knowing more, knowing this whole other realm, anything less than this would be unacceptable. I’ll take the risks, the madness, and even on occasion the horror, rather than boredom, any day.

Perhaps we are all sociopaths in our heart of hearts in some essential way, and we realize it when it emerges because we finally see a way to get away with it. So something in my nature fits their nature after all, and I belong somehow.

Even though ‘them’, what ‘they’ are, and how long they’ve been around, I don’t know even now and probably will never know. And even though I’ll never be one of them, because I can’t – even with all that, while I perhaps should be afraid, I’m not. I’m like the kid who gets to join the cool gang for some unknown reason, or because I have a talent that is useful to them. And I guess that’s the case, I guess it’s just a matter of need, in the end. And I suppose I should be afraid that someday that need runs out and then there is just me, knowing about them, as I do, and what that might entail. But I’m not, I’m not afraid. They’ve had their journey too, their evolution, and I’ve witnessed it. Even those who lurk in the dark don’t have to be part of the dark ages forever.

But speaking of my talents, and so my induction to strangeness,  I’m also the guy who has a mean way of handling a camera. I’ve got an eye for the best shot, the most flawless sequencing. I should be working in the movies. That’s where I’d shine. I’ll get there one day too. Everything happens for a reason, even the oddest of things.

One day I’ll be a lot further than where my ideas and camera savvy had gotten me less than two years ago, working for that fuckwit Roger on his prissy little home shopping channel. I mean, there’s only so much artistic satisfaction one can strangle from the choice of zoom in/zoom out shots on some stupid model’s fingers for the jewelry segments, or so many lighting and perspective intricacies one can elicit from boring twats rabbiting on about home cleaning products as though they were the latest highway to orgasm heaven.

And then, if that wasn’t enough of an indignity – four years at film school to shoot fashion sprees and fat loss programs for the terminally obese – Roger went and fired me. Nothing personal, of course, budget cutbacks.

Where once we filmed about twelve hours of new material a day, the hourly segments started to be in high rotation, often repeated three or four times for every couple of days. That meant far less film was needed to keep the 24 hour operation transmitting. Round the studio the presenters were joking they’d also soon be out of work once the internet shopping for the channel really took off. Or maybe virtual animation could replace them. Privately I doubted the average customer would tell the difference. In any case, it meant no more filming for me.

I’ll remember the day of my dismissal till the day I die I think. I’d not even imagined it coming, though on reflection I probably should have realized the programming changes were financially inspired. I’m just not really a businessman at heart. That’s my father’s thing. I’m creative. So you can imagine both my dismay and personal chagrin at actually feeling terrible, in the pit of me, when Roger minced his way into the control room that day and said we had to talk.

Roger has an affected effeminate style which he uses deliberately to make him seem to fit in more with the entertainment industry. As if anything about Roger is remotely entertaining. This cynical act does nothing to deter the harassment of all the female models, mind you, much to their distaste. Roger thinks he’s pulling off “modern metrosexual” when all he’s really pulling is his own leg. But that’s Roger for you. He’s just a confused, deluded little man.

You’ll think me bitter? I’m not exaggerating one whit. But I digress.

We had to talk. Expressed just like the lexicon of couples in relationships. I didn’t like relating to Roger at all. The less relating the better I thought. Ditto that re talking. Still he was the boss, so I’d set the filming to operate on auto (my ease in doing that should have been another clue had I been thinking about it all, which I hadn’t). And I followed him out, down the corridors, and into the broom cupboard he liked to think of as his office.

Still I think I knew just before he said it. Roger had never had occasion to think we should “talk” before. He didn’t invite people to his hallowed broom closet, sorry office, with any regularity. He liked the distance of power.

He also looked rather awkward in the moment, which was unusual for him. He usually looked smug and stupid, but now it was worried and stupid. That worried me. I watched a nervous bead of sweat meander down his forehead from his obvious hair piece, and I felt a small, growing fear.

“We’ve had to make some difficult budgetary decisions,” he started. He couldn’t look at me. He kept looking just beyond me at the photos he had hanging on the wall, as though he was really talking to the people in them. But then, they were all pictures of him, so he would be talking to himself really.

Nothing new there. Damn it, I need to concentrate. Something is happening here, something important.

“So we are cutting back on staff. With the new schedules we don’t need to film as much live content. I’m sorry Peter, but we’re letting you go.”

“I wasn’t aware I was in captivity” I said.

“Huh?” Roger asked. His brow crinkled. He didn’t understand. Trust him to not get the joke. He missed most things really.

“Letting me go? Setting me free? End of indentured servitude?”

The last line got him completely. I don’t think he understood the words or the concepts. Too many syllables. I felt disgust, but I wasn’t sure it was just with him. I’d just been fired. Perhaps I was also disgusted with myself.

“Don’t worry Roger” I continued, “I understand”.

“Oh? Oh, good,” he said, finding equilibrium again. I saw the old Roger rise out of the confusion, the smugness returning like a color to his pallid, murky cheeks. And that was all I could take of the moment. I turned and walked out.

There really was nothing left to say, after all. Little bastard. Imagine being fired by someone so inconsequential. Just this silly, strutting peacock and he was able to fire me. The universe is perverse.

(c) Helen M Valentina 2015, All Rights Reserved

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Animation – One

Image credit: Stokkete

Image credit: Stokkete

Two weeks ago I killed a woman. I did this deliberately. I knew precisely what I was doing and I planned and executed it all. But there is no evidence, any way that I can ever be held accountable for her death. While I assuredly did the deed, while I stepped out across her fate and re-wrote its ending quite consciously, no jury would ever convict me, no policeman will ever come to call, and even those who ask me to mourn with them for her passing will never suspect.

I am a painter. Some say a great painter; some even say the last great painter of my generation. I create. Now it seems I also destroy.

Does this make me a god? Perhaps, but what happens when the god finds the inevitable flaw in the makeup, the essential pieces of the jigsaw that it has missed? When confronted with that, the sum total of what is outside the god’s control rather than what is within its scope, what of the god then?

A god with a flaw is a monster. I lurk in fairy tales with my deceptively kind face. But I am a monster nonetheless. Let me tell you. Let me explain.

(c) Helen M Valentina 2015, All Rights Reserved

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The Hanged Girl – Twenty

 

Image credit: Studio_3321

Image credit: Studio_3321

Lisa woke alone, to the sound of police sirens outside her house. She barely had time to register the sad loneliness of waking without Damien there, not even knowing he had left her in the night or what to think or feel about that, or to cover herself properly with a robe before the door was banging hard and insistent.

When she opened the door two police stood stern and worried on the doorstep. She had the absurd wish to tell them to come in, to not be dwellers on the threshold, but words weren’t really forming properly in her mind. She knew somehow, knew something was wrong, very wrong, and was just starting to tell her mind this must be another nightmare, when she noticed the angry group gathering behind the police

Someone threw rocks at her house, smashing through the front windows, and the police looked back, glowering a warning, and the crowd reluctantly held back, murmuring of discontent and simmering rage.

The police started talking to her, telling her something about Mandy. It was something about Mandy. Something about guns, and the school auditorium, and deaths, lots of deaths. She was having flashbacks of one of her first nightmares, of yellow walls splashed with red, splashed with red.

‘We understand your daughter left the school event early and no-one knows where she was in the night,’ one was saying.

I didn’t know, I didn’t know where she was either, Lisa is thinking, I was too busy,too busy with…with..Damien…I didn’t know where my daughter was at night, I didn’t know!

‘But she returned early this morning with a rifle. Do you have any idea where she might have gotten hold of a rifle ma’am?’

And there’s a memory tugging at her, something about Damien saying that he wouldn’t suggest Mandy used herself as a weapon. But what about other weapons? Other weapons like a gun?

The crowd was getting rowdy again. She vaguely started to understand it was parents, parents dealing with rage and unimaginable loss. The police were telling her that her daughter killed over ten teenagers and wounded up to three others. These were the parents, clearly.

She is so stunned, so shocked, she can’t even move or process this, nor even take in the next thing they tell her, that her daughter then killed herself. It takes a full three minutes for that to register, and then for the wooziness to hit, and the blackness to come as she falls to the floor in a faint.

Over the days to come she has too much time to think. The police have taken her to another house, a safe house they call it, to avoid the wrath of the parents. They have asked her so many questions, so many, and there were answers for none. At one point she looked up at them and said, ‘You see, death follows a sacrifice,’ and they shake their heads at her, not understanding.

‘What is it about that street?” one of them asked the other, ‘All that death.’

‘Wrong name for the street,’ the other agreed, ‘No mercy there.’

All that death, and no mercy there. What had Susan said, that the Death card wouldn’t presage just one death, it would be many? Or something like that. If it was to fit the theory she had. Only now, it wasn’t just her theory anymore, it was Lisa’s, but that was far, far too late.

Just as Lisa was when she went to demand answers from Damien, embracing the theory and the sense he was the still point, the catalyst, the terrible magus with his tarot deaths at the centre of it all. For he was gone, almost as though he had never been there. The ‘for rent’ sign on the house even looked old, not like it had been put up in the past few days.

This feeling increased when she tried to talk to the police about him, saying she thought he gave Mandy the guns and taught her how to shoot.

‘Didn’t even know someone was living there,’ one said.

‘Well, he’s not now,’ Lisa replied, defeated. He’s not now.

Days later again, Susan visited her, having gotten the support of the police as perhaps Lisa’s only friend now in the whole town. By then Lisa’s job was lost, but she didn’t care. She had no money but somehow she’d have to leave, and she would leave, if only she could find some energy, some way to move past the guilt and the grief. Susan offered help, both financially and emotionally, and she took both like a greedy, needy child.

‘I’m sorry,’ Lisa said, ‘I should have listened.’

‘Hush,” said Susan, ‘It was only a stupid theory. It’s not your fault. I’m sorry I even suggested anything like it at all. It can’t have anything to do with this, it just can’t.’

‘No,’ Lisa responded, her voice like ash, ‘Not just a theory. I’ve heard talk, they want retribution, the townsfolk, they say they want balance. So I checked, and the next card from Death, it’s Temperance, and it’s all about balance. But you see, they want me to suffer, or suffer more, for that balance, and I can’t let them have that. I can’t, don’t you see. Not that I want to avoid suffering, I’ll always be suffering now, it’s not that, it’s just I have to stop that card coming to be, do you see?”

Susan shook her head, bewildered, not following her friend’s line of thought at all.

‘It’s the cards, you see,’ Lisa intoned, though she already knew all hope was gone, ‘After Temperance it’s the Devil, that’s when the Devil comes.’

‘So they can’t have their balance,’ Susan responded, understanding at last, but too late it seemed, for both of them together. ‘Because otherwise, it’s the end’

The End

(c) Helen M Valentina 2015, All Rights Reserved

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The Flavour of Spite – Twenty

Image credit:  Bornfree

Image credit: Bornfree

Francine is remembering something, looking at his broken, dead body at her feet. She’s trying to feel something other than revulsion at this form. There is no pity, but beneath it all, there are memories, tugging at her.

People like him, she’s thinking, they always think they are the worst of all, they have nothing to fear because they are the very worst. They don’t think there’s any other monsters in the cupboard or underneath the bed.

She’s covered in his blood and she wants to wash herself, but there will be time for that. She’s remembering washing herself once before, once before when guilt might have marred her skin and permeated her like some horrible sign of Cain. She’s remembering what she’s tried all these years to forget.

And she’s wondering why she needed, or wanted to forget at all. Because, of course, she thinks, this is what was necessary. I had to remember it. I had to re-birth it, to be able to do this.

She’s the sort of girl who always does what needs to be done, after all. That’s her essential element, that’s her, down to the bone, and no trauma or programming could stop that.

Remembering Christine, her childhood best friend. Letting herself remember, for the first time in years, letting it all in. As though in forgetting she wiped the slate clean. It wasn’t clean, just like dirty, nasty Christine wasn’t clean. Not her, not her at all. The Cineteens, her and Christine, inseparable. Christine, remembering Christine.

Her best, best friend. Remembering Christine with Francine’s boyfriend Carter, finding them that day. Christine’s long limbs akimbo, pulling him to her, into her, her darker skin flushed, her body convulsing with joy and sex and lust. Dirty, nasty Christine, showing herself for her true ugliness, her true self. And then seeing Francine seeing them, and all the tears and begging afterwards. All her pleas to be forgiven, for them to still be friends.

Stupid girl, how could that ever be? Looking at him now, there’s a true symmetry to all of it, she thinks, because how can love grow from that? Might as well have believed she could actually forgive Christine. Some people just had no idea…no idea at all.

Because she remembers weeks later, seeing Christine on the outskirts of town, walking the long way home from the bus where she’d just come back from seeing Carter again. Seeing her alone, and talking to her, seeing an opportunity she hadn’t even thought about in any conscious way, but acting on instinct. And Christine’s pathetic, horrible neediness and gratitude and willingness to just go for a walk, go for a walk with her friend through the nearby forest land, down to the creek.

She didn’t see it coming, couldn’t really, and in truth neither did Francine till it happened. A rock bashed against a young woman’s head, and the surprise at how it sounded as the skull cracked, and the amount of blood that gushed, then that weird feeling falling on top of her, her hands around her throat, straddling her like a lover, like Carter had straddled her, but with a very different primal intent indeed. Watching her friend’s eyes literally pop open and almost out of their sockets as the last struggling breath left her. Then knowing she was dead, knowing she was dead.

She remembers thinking they lied when they said you could see a soul departing a dying body. There was nothing, just recognition, then dull lifeless nothing. Francine didn’t believe in souls.

We’re just electricity in our heads, like the electricity in this monster’s rooms, making up sensations for us as we stumble blind through life. Well, she wasn’t blind, she’d never really be blind again.

She probably hadn’t been blind since Christine, because she surely saw things clearly then when she needed.

She hates remembering this – she’s spent years forgetting it, and building a new life, so far away. Not that she was caught, not that anyone knew but her. Because Francine has always been practical and she saw clearly and dispassionately what was needed – then and now. And back then she was still angry, still hurt, by her faithless friend. She’d give her the death she deserved and they’d find a narrative for it that she deserved too.

Remembering taking branches from trees and shoving them, shoving them in and up between her friends legs, tearing her panties off, raping her with forest wood. They’d think a sick pervert had gotten her. They’d never think her friend would do this, not something like this.

And they never did.

Just like they’d never think she could have done this, this bleeding freak at her feet. Downstairs was enough torture equipment and what might be taken as bondage gear to tell a very different, and quite compelling story. And no one knew she had been here, she was kidnapped after all. She’d just turn up in her life again, and say she had to go away unexpectedly, and no-one would ask, no-one would think to look.

Sometime someone would smell the truth here, and someone would find him, but that would be a long time hence, and they’d think he was part of some freakish sex thing gone wrong that’s all. Just a nothing, the nothing he deserved.

She pours the broth down the waste disposal, and looks at the chicken. Perhaps she can leave that in the freezer. It seems a shame to waste good food. She bundles it up in plastic wrap and takes it to the freezer. Inside she sees slabs of steak, also wrapped, with something written on them. She takes one out and looks at it. The name ‘Imogen’ is on the wrap.

She knows what that means.

She turns and looks at him. In many ways, it’s like the forest wood rape of Christine, it’s the details that secure the narrative. Just like it’s the herbs and the balance that makes the perfect recipe, the perfect food.

She remembers the programming where her own thighs were sliced and cooked, and instinctively touches herself between the legs, assuring herself she is still whole. He’s obviously a cannibal. His intent was very clear now and she understands her sense of threat was very, very real. So she takes the knife and goes to him, tearing open his trousers and seeing the flaccid, dead skin beneath. Along one thigh she proceeds to cut.

Sometime later she’s wrapping up the steaks to freeze as well. The final touch. They’ll think a cannibal killed him, and that perhaps he was a cannibal too. Well, that would be right, or maybe they’ll think he was one of those freaks who offered himself up to be eaten. She’d read once there were people like that, it was most extraordinary.

She looks at the steaks in her hands, considering. Perhaps he should be eaten, perhaps that’s what he deserves. She places all but one in the freezer and then puts this last one aside. After she’s showered and dressed herself in some of the clothes he had hanging for her in the room, in anticipation of when she was there of her own free will, she knows she will take the last steak with her, slipping out into the night with a trophy to remind her of the hell she has endured and bested at his hands.

On the way home she’s even smiling to herself, thinking about what she will cook to accompany it. She’s thinking some roasted eggplant, and old-fashioned mashed potatoes. She thinks she knows how he will taste. He was a cruel man who confused love with pain and possession with choice: a small, mean-spirited, nasty man.

Fine food, fit for her table of hate. He’d have the flavour of spite.

End

(c) Helen M Valentina 2015, All Rights Reserved

Posted in Serial Horror Stories, The Flavour of Spite | Tagged , , , , , , , , , , , | 4 Comments

The Hanged Girl – Nineteen

Image credit: Sandra.Matic

Image credit: Sandra.Matic

Early the next morning the school revellers were awaking. Little real studying had occurred the evening before, and perhaps even the principal would admit that was not really the intended or expected outcome of the event. It was more about class room bonding, a sense of adventure and team spirit which was less aimed at academic outcomes than it was at some form of social engineering.

The principal believed in the refining fire of social exchange. He told anyone who would listen he learned everything about politics and power that he ever needed to learn at high school. And nothing, he would say, has changed since my day. We should not just equip our children for study, we should equip them for life, and no-one does that better than they themselves, and the law of the jungle that is the school group system.

Not that the principal was there the next morning, nor had he visited the night before. And the two teachers left in charge had just left soon after 10pm as they had an assignation of their own they wanted to fulfil. All the teenagers knew about those teachers and their ill-hid affair, and they revelled indeed when predictions proved true and they were left to their devices. Early in the piece they’d had some sport at the expense of the ghost girl, Mandy, but the prissy little idiot had fled in tears. The throng turned to other lesser mortals, those who had joined in against Mandy so they wouldn’t be targeted themselves, now learning in her absence they’d be targeted anyway. And so it goes, and so it went, and finally the last of them fell asleep, and all were still happily slumbering at 9am when the doors of the auditorium opened with a decisive bang.

The first to wake up were David and Jasmine, who had slept the last hours of the night in each other’s arms and positioned themselves on the relative comfort of some gym matts nearest to the door. Jasmine grimaced as she sat up, adjusting her eyes to the light of the morning. Then she saw the drab figure in the doorway, and didn’t see enough to really understand, or react, but just enough to fall back to her usual diatribes.

‘Mandy the ghost girl is back!’ she spat, ‘Not enough sense to just stay away!’

Jasmine turned, hugged to David for a moment, then continued, ‘Or perhaps ghost girls have no choice but to haunt people.’

Then she noticed David had gone rigid, looking at Mandy, and then he started to shake. So she turned, looking again, wondering why, just in time to see a rifle muzzle in her face. A second later a loud bang woke the others, groggy and stupid into the blood-red morning. The sound of the gun was huge, reverberating like a cannon shot within the auditorium walls, momentarily surprising even Mandy as she surveyed the immediate impact of her coming.  Jasmine’s face literally disappeared in a second, the last expression she would ever have being one of confused disdain and concern as her identity dissolved with the blast into blood, meat, bone and sinew.  A moment later she slumped down to the floor, next to David.

‘Might as well stay on the floor, it’s where you belong’ Mandy said, amusing herself.

‘Mandy,’ David started, trying to sit up properly to reach her somehow, but his false friendship was too late. It was all too late. Destiny had arrived, come calling. She’d realised that sometime in the night and so she’d gone down to Damien’s garage and got out his rifles. She remembered asking him how he had them, given the gun laws, and he’d said, ‘There are always ways around laws.’ It had felt like a special secret between them.

And she’d been a natural student, the perfect natural shot, and Damien had said it was like it had always been meant to be. Like she’d been born to hold a rifle, and to shoot. Like now. Shooting David, his pretty face also blasting off in the impact, and then she turned, and continued.

By now, the others were standing, grabbing clothes, bags, and trying to run. Two headed to get past her, through the door, and two more shots took them out, the arterial spray from the throat of one where the bullet lodged painting the yellow auditorium walls with a sickly, garish red.  Another student literally slipped on the blood across the floor near one of these fallen ones, landing right on top the mauled body below.  She started to scream, hysterical, no longer aware that this was like affixing a target on her own back.  Moments later the screaming stopped and she lay still, the two students a kind of bloodied sandwich on the floor.

Now everyone was screaming, and they were stupid. They were all stupid. She was in her element, hunting them down, being the one to be feared. Three more were taken out as they tried to rush her. No-one tried that after that. Some attempted to hide, others cowered, trying to make themselves smaller. She shot anther time, missing for the only time, then quickly, expertly, reloaded the rifle. Everyone there was too stunned to stop her.

A group had gathered like a line at one wall, like an execution parade offered up to her: one, two, three, four, five. So perfect, how could she refuse such an offering? Each shot rang out in the air, punctuating the screaming and crying like a drum beat for a discordant punk anthem. They fell one by one and strangely none moved, none tried to escape the deadly line, shocked had relieved them of all rational thought and they simply waited to die.

By now she’d walked further into the hated room, and she heard others running towards the auditorium. The adults were coming, coming far too late. Three teachers stood, frightened but resolute, in the doorway. She could hear one of them trying to talk to her. To her side one of the teenagers tried to lunge towards her and she shot him, severing an arm as easily as cutting a grape from its stem. He bellowed, fell down, enraged and in pain. She didn’t care, hardly heard any of it anymore.  Perhaps she was in shock too.

One of the teachers was trying to walk towards her. She looked at him sorrowfully. Clearly he did not understand. It was all over, it was all over now.

It had been over the moment she and her mother had moved to this town. It had only been waiting for this. Damien had shown her, had told her, and now she knew, she knew too.

And she positioned the rifle beneath her, pointed upwards, opened her mouth to receive the muzzle like one might a lover, and shot her own head off before the teacher could reach her.

All over and done.

(c) Helen M Valentina 2015, All Rights Reserved

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The Flavour of Spite – Nineteen

Image credit: Dani Vincek

Image credit: Dani Vincek

Dearest Violet is in my kitchen, slicing and dicing vegetables for our soup.  She has chosen a recipe for chicken soup, and the meat is already finely sliced and lightly fried, and it now sits on blotting paper to the side, awaiting its immersion in the stock when it is ready, ready to fully absorb the many herbs and spices she has required.

The aroma in the kitchen is a delight, beyond anything I have ever achieved, and certainly so much greater than anything that the days of Imogen might have provided.  Imogen only ever gave a foodful scent to this place in the very later years, and not in the way she would have expected. I smile to myself at the memory.  There is so little of her left, I muse, looking at the freezer for a moment.  Never mind, soon there will be other meat there, meat worthy of us both, and dearest Violet will understand.

I am looking at her as she works, so calm and precise.  If the sessions have weakened her body in any way it has not cruelled her culinary style.  She is like a fine dancer, moving lightly across the floor from tabletop to tabletop, barely inconvenienced by the ropes I have tied to her ankles, and then to the sturdy kitchen table legs, a purchase of security she could not hope to overcome.  But she does not seem to hope that, in any case.  I see her sometimes look at the knives she uses and then at the ropes and I wonder if she contemplates trying to cut herself free.  But then she looks at me and there is a knowingness and an acceptance in her eyes – she knows I have triggers to stop that if any slight rebellion still lives in my beloved’s heart.  She even smiles, as though she reads my mind, a coquettish lover playing artful teases for her paramour, nothing more.

She stirs the pot with the stock and herbs for a long time, watching it thoughtfully.

‘My dearest,’ she says, ‘Will you taste this for me and let me know if it is to your liking?  A fine soup must have the very best base, and I trust your tastes so well.’

She holds a ladle full of the broth up to me and I happily bend to drink at her bidding.  The flavour is wonderful-aromatic, spicy, deep and solid.  It tastes of health. It tastes of warmth.  It tastes of heaven.  That is its flavour, like the flavour of love.

I am somewhat overcome in the moment, I feel slightly dizzy.  The sheer joy is impacting on me, and I sit for a moment, just a moment, on a nearby chair. Soon I will be recovered and can help her, perhaps, with her cooking.   Do I dare to so presume?  But how could my lover refuse my help, how could she ever refuse me?  I will never be as wonderful a cook as her, but I can learn, she can teach me, just as I have tutored her, all these wonderful, terrible weeks.

I find myself vexed to be thinking of that.  Something is not quite right with the world.  I feel like I am on the precipice of the memory of my own conditioning.  Is the pattern of the linoleum on the floor beneath my feet actually squirming, am I having some form of flashback?  This will never do!  My beloved will not want to see me so, and I might not fully appreciate her culinary offering if I am in such distress.

But the floor is moving, it is, or am I moving, moving towards it, maybe falling?  Is that possible?  I feel vertigo, quite sick, and something is tugging at me, some thought, some suspicion, but the floor is moving too much and coming to quickly towards me, and I’m thinking about herbs and about things Imogen once said about them and about how they are the derivation of drugs and I’m thinking, well, it’s more that I’m trying to think as I’m falling..

But then, something is holding me up, steadying me.  Her sweet firm hands, holding me across my chest, under my ribcage.

‘Are you all right my love?’ she is whispering, and I’m so happy but so sick, that I can’t think straight. I can’t think about how quickly she got to me, if I was falling, or about whether she should be able to reach me, or what that might mean about the ropes, and the fact that she’s been with the knives, she’s been working with the knives, and suddenly I feel like I’m about to throw up because something is wrong, something is very wrong, and I hadn’t counted on this, hadn’t thought about it, and it wasn’t in my calculations at all, and it’s wrong, it’s very wrong, and only her hands and arms are steadying me, but I’m thinking, I’m thinking…

This must be a flashback, this must be a trigger, somehow, accidentally, I’m not in the real world. I’m in the virtual reality of pain and symbols and it isn’t really her hands holding me, it’s just my mind, and it’s not really her right hand lifting now from me, brandishing the knife, holding it just a bit before me, turning the blade in the direction of me, my throat, of me…

It’s not real, it’s not real, and I’ll be better soon, and that sharp feeling of the knife slashing through me, making me bleed, hurting me, it’s not real, it’s not her, it’s Imogen, it must be Imogen, the scrawny horrible arms teaching me, teaching me…..

And then, my god, there isn’t the blackness, the darkness I expect, there isn’t the opiate of fear and ragged sleep.  This darkness feels colder, older, stranger.  Far more horrifying on some deep, panicked, primal level,  It’s beckoning, it’s saying something to me, or is it her, is it her speaking, and what is it saying?

‘It’s real, you bastard,’ the voice says, ‘It’s real.’

(c) Helen M Valentina 2015, All Rights Reserved

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The Hanged Girl – Eighteen

Image credit: Serge Zastavkin

Image credit: Serge Zastavkin

Lisa took the day off from the bookstore, claiming a migraine and getting the casual staff member Bruce to watch over the business for her in her absence. But in truth it was not a migraine that kept her away from work. Tonight was to be the night Damien joined her for dinner, and all the promise that entailed. After bustling Mandy out of the house to go on the overnight excursion with her classmates – and having stopped up her ears to her daughter’s pleas not to go given how horrible school was- she had felt exhausted and knew she needed time to relax and to prepare if the night was to fulfil its promise.

She hadn’t been sleeping well for weeks now, and that last nightmare where she ran from her own daughter was so horrible she couldn’t even bear to think about it in the daylight lest somehow the sun’s rays shed too much light on what it might be saying about her and her relationship with her child.

Normally she might have talked it out with Susan, but she refused to even see her for the moment. She had no tolerance for her friend’s selfish and derogatory obsession with Damien, and was in no mood to indulge her, even if it was simply for the opportunity of having someone to talk about Mandy with. Underneath, though, she was vexed and did feel bad for her daughter. She had almost given in and told Mandy to stay, that she would ring and say she was sick, and save her from the additional indignity of a night spent in the company of schoolmates who clearly rejected her.

But to do that would rob her of her dinner with Damien, or at the very least rob her of the opportunity for them to dine alone, and all that might entail. And how could she do that, she told herself, she had so little joy herself these days, and she suffered too. Everyone needed to find their happiness, Mandy included, and the one should not demand the sacrifice of the other.

There was that term again – sacrifice. Why did everything feel like that these days? Why did it always have to be one or the other, not both?

Still, her guilt robbed her of the rest she wanted, and more than once she almost rang the school to say she wanted her daughter home. She saw herself doing more, in fact, storming in to the principal’s office to tell the tales of the bullying her daughter endured and demand someone did something about it.

‘This is the sort of thing that causes tragedies,’ she saw herself saying in her mind’s eye. But equally she saw her daughter suffering even worse for her intervention. Parents never could save their children from bullying. She knew that, deep in her bones, and while she wanted to do something, anything, to stop feeling like the worst mother on earth right now, nothing rose beyond mere speculation and consideration. The afternoon passed into evening with little sleep or rest, but she remained alone and Mandy remained at school, and that was an end to it.

Finally, she busied herself with cooking. Something simple but elegant was in order: steak with trimmings, fine red wine, and a crème brulee for dessert. If they even got to dessert,she thought to herself, shivering in happy anticipation. And at that moment the doorbell rang, and she hurried to the door, checking her reflection briefly in the hallway mirror before opening the door to see Damien standing there.

‘Come in!’ she said, delighted.

He smiled, ‘Thank you, the last thing I wanted to be was just a dweller on the threshold.’

She smiled back at him, ignoring the strangeness of his words. Sometimes he spoke in a manner that made one think of an earlier era, a bygone one. My god, she thought, it’s a good thing Susan isn’t here or she’d be using it as proof he was the man in the old photos. An ageless man, with the manners of an earlier age.

She fussed over the cooking and he fussed over her. Their conversation came easily, almost too easily, and she felt giddy with the wine. Every sense in her body was alight and tingling, so that after the meal, as they brushed beside each other in the hallway as she came back from taking dishes to the kitchen, she melted within his embrace as he made his move. For long seconds she just felt sheltered, tender, in his embrace, then she raised her face to his and looked into his depthless eyes, and accepted his first kiss.

I am falling, she thought, I am falling like a star falls in the sky. Down to the limitless all.

Moments later he asked where the bedroom was, and she led him, hand in hand, deliriously happy, to the room. She didn’t even think to pull the blinds, for it was hardly likely anyone was out on Mercy Street tonight in any case, and even to do that would take her away from him for too long. She followed his lead, each caress and embrace travelling deeper, and somehow she found herself without cloths, without care, without inhibition, meeting flesh with flesh, a passion and a heat, till they were one.

And not once did Lisa look outside the window, and not once did she see they were not alone, not alone at all. In the darkness of the street, seeing them with total clarity from the lamplight in the bedroom, seeing every move of every embrace, every kiss, was a horrified and devastated witness. A witness who fell back with each move, shaking her head, tears streaming from her cheeks. And these were cheeks that had been tear-stained already this night, this night when the bullying continued apace, to the point that she had fled the auditorium at school where the school sleep over ‘study night’ was in full flight.

Mandy watched her mother with Damien, every last young dream of her pitiful, lost little life extinguished moment by moment. By the time she could no longer see them as they had fallen on the bed, out of sight from the window, Mandy was beyond thought, beyond feeling.

She turned and ran again, and ran and ran, till she was behind No 6 Mercy Lane, up the hill, just looking at the tree, the Hanged Girl tree. And when she looked up at the cloudy night, no stars were in sight. No stars at all.

(c) Helen M Valentina 2015, All Rights Reserved

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The Flavour of Spite – Eighteen

Image credit: Oleg Ivanov IL

Image credit: Oleg Ivanov IL

He returns later, about an hour later, to do the session. He apologises for his forgetfulness as though he has left his lover waiting. Perhaps he thinks he has, but it is crueller still to have given that brief time for her to think she may have escaped the pain, at least this once, at least for this day.

If anything, it is worse, he is worse. It is as though he seeks now to accelerate the programming, as though seeing his goal in sight has given him a terrible second wind. He is an athlete, primed to work beyond the pain, but in this case the pain is hers, not his. Not his.

He wants to know how she tastes. He says that. And it’s given him ideas it seems, terrible ideas, because this time after the brutal fall of agony, the doctor is intent on something so terrifying that it eclipses all the savagery she has already endured.

They are in the hospital room and he is in green, but close to the bed is a stove top, on which a frying pan is spitting with butter melting and burning. It smells like the commercial kitchen of the café, a sense memory that cooking has created. And she’s trying to understand what this has to do with the doctor, and the hospital and his awful treatments. She is strapped down, but so, so awake, as he moves to the end of the bed, looking up at her legs spread open, but he is not looking at her sex, not there, but just below it, to the smooth, soft folds of her upper thighs. And he has a knife.

‘Your flesh is a moment from perfection, and in perfection is the perfect consumption,’ he says, ‘You are fillet mignon my love, my dear.’

And then, such agony as he reaches up and begins to slice, slice her as though she was a piece of meat at a butchers, cutting the flesh and fat and lifting the steaks that are all of her inner thighs up away from her, tossing them to the pan to fry. She’s bleeding, bleeding everywhere, and he’s scooping some of the blood and putting it in a jug nearby, as though it will be a kind of gravy for the feast. She thinks she will bleed to death, and that might be a relief, an escape from the smell. Because now she can smell the meat cooking, smell herself cooking and she’s screaming , and she’s screaming and…

When she finally wakes she is still whole. Yet again, it is only a programme, a direction for her to contemplate and endure. Our life is indeed a dream within a dream, she thinks, and all my dreams are nightmares. But when will they bleed out, bleed out into the real world? When does the nightmare and reality become one?

She feels the answer to this, the message is clear, in the last words the doctor said, just before the complete blackness of surrender: ‘We shall have fine food my love, food fit for the table of love.’

(c) Helen M Valentina 2015, All Rights Reserved

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