(Flash Fiction) Alien

Image credit: Kovalchuk Oleksandr/Shutterstock.com

Image credit: Kovalchuk Oleksandr/Shutterstock.com

So long ago, a millennium or more in your time, we evolved.

We rose out of the whirlpool of our world to achieve what your Buddhists call the release from attachment. Perfect detachment. Our physical form relaxed and withdrew to something of a higher vibration, a lesser physicality. We could move through dimensions, make your walls and fortresses nothing to our stride. Move through time and space by relativity, by thought alone.

But something was lost in this translation. Perhaps every evolution comes at a price. We did not realize. Your mystics that depict the soul’s journey as the snake swallowing its tail are nearer to the truth than they know. Or at least, evolution is circular, not linear. When you rise, you rise to a certain point – as we did – and then there is nothing but the descent. This must be traversed before any other evolution is possible. And this time, as we descend, there are pieces we cannot take with us, parts we have already lost, perhaps irrevocably.

You turn your gods to demons so easily, and in this you are wise. Perhaps it is inevitable. We lost the physical as we rose and thought little of it. So freed from its shackles, so sure in our perfection. But the physical has is secrets and its power. We should have known. We were like you, before. A child learns empathy through first feeling pain, or pleasure. Love is expressed most powerfully through touch and embrace. Without the physical we lost something greater, the capacity to feel.

Falling now, without emotion, makes us cruel, makes us relentless. And even this we only know in abstract and cannot experience directly. How much harder the ascent without this guiding star?

So we seek in you – in your limbs, your heart, your flesh – the elements of emotion. It is elusive. We find it not in sinew, nor in blood, nor even breath. Yet it is there. We feel and feed upon it – your fear, your love – even your hatred. In our sterile rooms we seek the palpable, the real. How do we give birth to this within ourselves, we who abandoned it so willingly and blindly? Where within you is this road back to the heart?

Knowledge is not the root of evil, forgetfulness is.

We appear to you, perhaps, as demonic, and this we are. Not by choice but by accident. By hubris. Like your Icarus, we flew too high, and now know only the descent.

Can you help us feel? Can you make us remember? And if you could, would you? I’m not even sure you should.

(c) Helen M Valentina 2016

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(Flash Fiction) Rock Star

Image credit: Oleg Malyshev/Shutterstock.com

Image credit: Oleg Malyshev/Shutterstock.com

Davy was a rock star. Before he reached such illustrious heights he was just David, a friendly, kind of handsome lad who never really knew his own good looks or casual charm. He had an insecurity which drove him, I suppose, and which was part of his schtick. He never appeared on stage without his makeup, a series of grotesque, dark face paintings that hid him so he could reveal a more essential self.

Well, that’s what he told me anyway. I always thought his real self was normal, bland but pleasant-looking David, but he hated the thought of that. He wanted to be wild and dangerous, so he let face paint do the job.

Fair enough, I suppose,and the public ate it up. He was constantly trending on twitter when some hapless, pathetic fans thought they’d seen the real him, sans makeup and posted the pictures, though they never managed to actually get him. I doubt they’d have realised how ordinary he would look in real life. He could have walked right past them unnoticed, in fact I’m sure he did, many times. He wasn’t a hermit, he did get out in life. He didn’t hide.

We’d laugh for hours over what they thought he looked like. It felt good to focus on the sad needs of others rather than think about what all this subterfuge meant about my friend.

Over time the makeup got worse somehow. It’s hard to explain the shift, or how it felt to see it. I put it down to the needs of his art. His music was pretty dark and depressing actually,  and not really to my taste, but I followed him for our friendship’s sake.

One day he called me in a panic. He didn’t say why, just wanted me to visit him, which I did. I found it odd to see he had the worst of the makeup on when I arrived. That is for the stage, I told him, laughing. But then he started to cry.

It’s odd, seeing one of your friends cry. It’s just not what guys do together, if you get my drift. So at first I didn’t notice, and he was mumbling through his tears about it ‘being real,the real me,’ or something like that, I really couldn’t tell.

And didn’t notice, as I said, anything really, including that none of the tears were shifting the makeup at all. At all.

Then I did notice, about the time he looked up at me wildly, his face almost split apart by the dark artistry. I noticed it remained untouched. And then I realised why he was saying:

‘It’s me. It’s the real me. And it won’t come off!”

What did Oscar Wilde say – give a man a mask and he’ll tell you the truth?

Was this the truth of Davy – rock star, animal, fiend, demon from hell?

And if so, where the hell was my friend David? Gone, long gone, like a whispering, crying ghost….

(c) Helen M Valentina 2016

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Dark Water

Image credit: Dm_Cherry/Shutterstock.com

Image credit: Dm_Cherry/Shutterstock.com

I knew a magician once. Not the kind that performs sleight of hand on stage, or hypnotises the gullible. The real thing, a magician who practised ritual and who believed, to his essential core, in the ultimate strangeness of the world.

I found him entertaining. I had a penchant for the dark in a kind of foppish intellectual way. My life was calm and ordered and nothing odd or frightening breached its boundaries. So I could find what he spoke of interesting but distant. It was comfortable, and like any other fool I thought I was immune somehow from the very things I found so diverting.

My mother believed in ghosts and claimed to have seen some. I would tease her when she said I might one day see them myself because such things ‘run in families’. My magician friend said something similar, so one afternoon he told me about their various manifestations.

“Never live near dark water,” he said, “or where people have drowned. Many ghosts haunt because they want to, or because they are temporarily confused. They avoid or only later embrace the proper process for death.”

“What is that?” I asked, intrigued.

“When you die your spirit divests itself over time of its individual essence, and then is cleared to merge with the infinite. But water holds that process back and in some cases stops it entirely. People who drown are often trapped, and they know it, making them the worst ghosts of all.”

I didn’t heed his warning, of course, and some years later moved to a woodland area, close to a river that coursed its way through sprawling nature through to the little town nearby. I went there to write because my imagination has always been my best asset and by then was my livelihood. Like I said, I was comfortable living my little dramas in my head rather than in life.

Even when I heard about a young woman who suicided so near to my little homestead, by drowning no less, I was un-concerned. The words of my mother and those of my magician friend did not linger enough to make me take care.

But then, one night, I ventured late along the river route, musing on nature to help me work through a particularly vexing part of my writing. And as the various night sounds of a forest awakened around me, something else awakened too. Something that sounded like clawing, shuddering, wrenching life, coming from the water. the dark water.

That’s when I first saw her, rising like a blight upon a low hanging moon. Climbing from the water, the dark water, shadowed and dread.

And I head her, heard her inhuman, growling, desperate sound, reaching out to me. Just me, a purchase on a life she had lost, or a conduit to a freedom she had eschewed.

Dark water trapped, gliding now, so close, ever closer to me. Too late I recalled the warning, and what else my friend had said. That such ghosts could draw you down, draw you down with them.

“For if they are trapped they crave company,” he said.

And she was coming, coming for me, and I was frozen to the spot, drawn by something ineffable and inevitable.

And I screamed. The last sound I would make on solid ground. Thereafter all my words are  just cries from the water, dark water.

(c) Helen M Valentina 2016

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(Flash Fiction) Doll

Image credit: Heartland Arts/Shutterstock.com

Image credit: Heartland Arts/Shutterstock.com

Beware the doll. It looks so simple, so innocent, and it’s very, very old. Passed down they say throughout the generations, mother to daughter, a heart line and bloodline of mystery.

It belongs to an older age, a time when magic and spells were rife in the world. Some say it came from Salem, but I say it is older, and its lineage more from England, or perhaps even Europe. In its strange smock dressing symbols are embroidered, of a rose and a cross, and I think I know what that means.

It is sister to voodoo queens, the most ancient of traditions. It presages sorrow, it foretells death. Some might even believe, if it comes to your possession, it has been given as the darkest and most deliberate of gifts. You will not know your benefactor, and you will not wish to know. It will be far too late for recriminations or reversals. It simply shall be what it is.

It travels by dark, knowing hands. My mother knew of it and told me, but never owned it, which is probably just as well. Though some may receive it without threat, those who are initiated to its mysteries, and my mother would have been one, as she will make me so in time.

But if it comes to you, beware. You will see it in a dream, as though through a glass darkly, before it comes, and once it comes it does not leave. Not until you leave, and leave entirely.

(c) Helen M Valentina 2016

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(Flash Fiction) Younger

Image credit: Aleksey Stemmer/Shutterstock.com

Image credit: Aleksey Stemmer/Shutterstock.com

When I was younger I had little fear. I suppose those who have little knowledge cannot truly appreciate why one should be afraid. So little of life has touched one in childhood, if one’s childhood and one’s parents are largely kind, as mine were, on both counts.

So I ranged freely around our rambling houses and the annexes and tunnel ways beneath such vast dimensions. I knew, vaguely, that my parents were very rich, and in that they had large dwellings they called homes for each season. The biggest and wildest and most fascinating of these being the Winter House.

The Winter House was oldest of all, and its tunnels and passageways were brick and solid, not like the rough-hewn rock and wood of the Summer and Spring dwellings. I never questioned why my parents had such a penchant for homes with extensive warrens underneath. It was just what my family wanted, and just what I knew.

I was a child much alone, but not lonely. Again, I had little chance to build friendships as we travelled so frequently. So did not know what I lacked in that regard. The homes and the tunnels were my kingdoms, not to be shared and certainly not to be feared.

But then, one winter, when I was seven years old, something shifted in my awareness. I suspect now something greater had shifted in my family, in the household, and something formerly hidden was about to be brought to the light in some strange, necessary way.  In any case, almost overnight it seemed the tunnels beneath the Winter House felt sinister and dread. They felt this way to me, palpably, even before I saw the blood on the walls of the farthest reaches. They felt like death, a concept I could barely encompass, even before I saw my new childhood ‘friends’, locked down there, chained to the walls.

But still, I felt the fear before I saw them, and before I had any chance to understand. They mewed to me like kittens, asking for my help, but it was so frightening and so unexpected, all I could do was run away, back throughout the tunnels, back up to the house itself.

Then I told my parents, who laughed and said I’d imagined it. But I knew I hadn’t, and the tunnels and my innocence were lost to me then.

It would be many, many years before I realised why my parents were so rich, and why they travelled so much. By then, however, I understood much, and feared even more.

I never went down to the tunnels again.

(c) Helen M Valentina 2016

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(Flash Fiction) The Reaping

Image credit: Jeff Thrower/shutterstock.com

Image credit: Jeff Thrower/shutterstock.com

We wait for you in the corn. You will come to us. You must come to us.

We have been blooded, from birth, to prepare us. We are young but we are ancient. No child is a child in this town past the age of five. So it is written, so it shall be done.

One must fall for the reaping, for the sake of the crops. The gods we appease are hungry gods. Just like the world, just like us, they consume. The best consumption is of self, of your own kind. That’s what they tell us. We understand this and so you must come.

A child shall lead them: so it is written. A child shall reap, so it shall be done.

The old will fall, the broken harvest, they must surrender, they must fall. An appointed one at the appointed time. The gods are tolerant, they will accept aged meat. As long as it is reaped by the young.

The cycle of life, to cycle of death. One and the same. The young will reap, and in their time they will be old, and some of them will fall.

So it is written, so it shall be done.

You are old, and you are chosen. And you will come to us, for you must. And the reaping will be done.

(c) Helen M Valentina 2016

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The Mystic (Horror Flash Fiction)

Image credit; Taras Stelmah/Shutterstock.com

Image credit; Taras Stelmah/Shutterstock.com

The mystic brushes the leaves and dirt carefully, in a simple, meditative circular motion. In this as in all things he is precise, deliberate and on the brink of peace.

The morning is only just breathing, the light of a freshly emerging sun painting the preternatural sky. All is stillness and silence following the exertions of his worship and the drives of his love.

“For the Beloved,” he whispers to the indifferent morning air. He can feel it so close, yet achingly out of reach.

Always after his sacrifices and his rituals he touches the ineffable almost-there.

Almost-there.

He studies all religions. Raised as a christian he has strayed so far from its dictates in so many ways and in this he is catholic more in the original sense of the word. All seekers follow the same path, he knows, though the names and words and actions are different. And so he studies them all, at least all the People of the Book.

It is not enough, he thinks, because it is never enough. His body aches from the efforts and his heart is heavy from the horror of it all. And yet, and yet, he offered not death but liberation. Liberation and the chance to see, for one glorious moment, the face of God. The Beloved.

There is a Sufi tale, he recalls, about a glorious house where the master has been absent many a long year. There the servants dutifully keep the house in perfect order, expectant always of his return and observant of his comfort. Yet the master never comes. The master, he knows, is the Beloved and he has gone, long gone, with no intention of returning. The mystic believes he knows the point of the tale. That ritual and beauty and dedication will not fill a home, or a church, with spiritual light. And yet, the ritual itself is the foodstuff of faith. The effort sustains the faith, and without faith, how can the Beloved ever return, ever recognise the home?

The paradox of all love: that the very things we use to make it stay are the things that drive it away.

We all have our dark nights of the soul, the mystic thinks. St John of the Cross is his patron guide. My dark night is suffering and blood brought to others, brought from others. I envy them. Those that I bury beneath the fresh earth at morning’s first light. This is my ritual, this is my faith, and without such sacrifice, how can my journey continue?

And yet, how empty is my heart, and how empty is my home. The Beloved never comes.

The mystic stands and brushes down his peasant clothing. he will walk barefoot through the forest to his humble abode, his feet bleeding and he will welcome the pain, the blood. His blood should flow, just as he has made another’s veins open and pour forth their red life. Another, and another and another. Prostrate before a cross, if he is lucky, he may get closer. So close he may almost feel himself leave his own body, in the embrace of the Beloved.

But only the ghosts of those he has killed embrace him now, and it may ever be so. Life is a chain, and it is not his right to cut the links for another.

But what is faith without an offering,  and what is the Beloved without faith?

(c) Helen M Valentina 2016

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(Flash Fiction) Blackbird

Image credit: Dalibur Valek/shutterstock.com

Image credit: Dalibur Valek/shutterstock.com

The blackbird came rarely, and when it came, it brought death in its wake.

No-one knew why. It was just a bird, and acted no differently to its feathered kin. But time and again this one returned, and every time, someone in our family died.

My mother called it a psychopomp. For many years I thought that sounded like something that came once every two or three years when the carnival came. But unless a death coincided with that, then their performances passed in colour, vibrancy and without incident.

I have decided, over the years, it is one of our kin, come to take us home. My great-grandmother on my mother’s side was said to be a witch. Even further back in our family tree we claim connections to Salem and all the mystery of that place.

I think the blackbird is of that line and I think it is a friendly creature, no matter how dark its message.

I think that even now, as I gaze out my window from my sick-bed and see it settle once more in nearby trees. I have been very ill now for sometime, though they will not tell me the prognosis. My parents come and go from the room, speaking in hushed tones, mopping my fevered brow.

This morning my mother was singing to me when she, too, looked out the window, to see the blackbird. It stilled her song and she wept.

“Do not cry mama,” I said. “Our friend is here, gathering friends.”

“Do not leave us!” my mother cried, then turned to the window and called out to the blackbird. “Do not take my child!”

“Mama,” I said, touching her hand softly, “Do not cry. It sings to me, I hear it, such beautiful songs. And it says I may return, return for each of my dear family, in the by and by.”

“I do not understand,” my mother said, her head dropped down so close to her chest I could barely hear her.

‘The blackbird doesn’t have to travel alone,” I said, “next time, next time you see him, there will be two blackbirds.”

“My child!”

“Yes, mama, the other blackbird will be me.”

(c) Helen M Valentina 2016

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(Flash Fiction) Memento Mori

Image credit: tatui suwat/shutterstock.com

Image credit: tatui suwat/shutterstock.com

My uncle had a picture that he hanged on his bedroom wall, above his bed. Unlike many who put a cross or other religious paraphernalia in such private places, he had the portrait of a skull. Underneath it he had written on the fading pale beige wall paint two words : Memento Mori.

When I was seven years old – an age he said was a crossing over point from childhood to early maturity – he showed me the picture and told me what the words signified.

“Remember that you may die,” he intoned softly, “memento mori. The advice to kings and priests alike, and the advice we all fail to realise till it is too late. Do not fail little one, when you take your choices and your risks, remember this, remember.”

My uncle was a powerful man in business. I did not appreciate this at the time, being so young, and even when he finally was found dead – apparently by his own hand – when I was eighteen I barely knew his import or why this might have made the death so mysterious. I only knew that he had unusual friends, and that they attended me at the funeral, and thereafter guided me in my early career, which followed largely in my uncle’s footsteps.

My own parents had been distant from me all my life. They led a peripatetic existence and I rarely followed. I was ensconced in schools and left to my own devices, and in those years turned to my uncle for company. He taught me many strange things, many secrets. So my soul is full, full of secrets.

One thing I know, my uncle’s advice was true wisdom. There is a price for everything, even patronage, and he had enjoyed that also in his time. I understand that nothing can last forever, and there are bargains you make that have a time limit. My uncle’s friends acquainted me with all this on my twenty-first birthday at a party which is best left undescribed.

But still, my fate is set, and mainly happily for the moment. I have many, many years before my price comes due. In the meantime I have a room in my palatial flat which no-one enters but I. All that is in the room is a table, with a few items on it. A candle I keep burning, a skull, and some other devices. Above the table I have written two words in on the wallpaper, and they glow in the candlelight, a perpetual reminder.

I visit the room at least twice a day and read the words. “Memento Mori”.

I will not forget.

(c) Helen M Valentina 2016

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(Flash Fiction) Predator or Prey

Image credit: Kiselev Andrey Valerevich/Shutterstock.com

Image credit: Kiselev Andrey Valerevich/Shutterstock.com

“Ladies and gentlemen, our last exhibit for the night is something special indeed!”

The master of ceremonies and chief auctioneer rubbed his hands with glee as the cage was brought out, wheeled by two hefty men for strength was indeed needed.  For within the cage was what might have been a man, and yet, could not have been.  This creature, partly familiar but till essentially alien, dressed in androgyny but with the clear musculature of a man – this creature created an instant hush across the room.

“We’ve never seen the like!” the auctioneer lied.  “Captured only a few days ago from a fallen craft, Creature X as we affectionately call him, brings to mind both the intergalactic and the demonic.  I hazard to say he is a bit of both given the inter-breeding of the supernatural and the alien of late.  In any case, what a specimen, as I am sure you will agree!  The perfect antidote for the most jaded of palettes!”

A murmuring of approval rose from the group gathered below the stage, and a small ripple of actual applause punctuated the air.

“What am I bid?” the salesman cried as the approval settled, and the bidding came fast and furious, and high.  By the end the dour man in the back – who the auctioneer had to acknowledge had the best taste of all the patrons here this night – made an offer none could best and claimed his prize.

The winner came up to sign the required notary, and for a moment the eyes of the buyer and the seller met.  A chill ran through the auctioneer’s soul, looking into such lifeless, greedy eyes. He could only imagine what the man might have in mind for his prized purchase this night.

“Usually,” the auctioneer commented to his assistant once the others had gone, taking their possessions with them, “selling one like that is a disaster for the buyer.  They are such deadly creatures overall I find.  But, in this case, it’s hard to know between purchaser and prize which is the predator and which is the prey.”

“You didn’t warn him then?” the assistant asked, referring to the purchaser.

“No indeed! One look in his eyes and the words stilled on my tongue. Still, tomorrow no doubt, there will be blood in that man’s house.  The only question being whether it is his or that of his purchase.”

The assistant shuddered and crossed himself, staying silent on his innermost hopes.  At least if the creature died this time he wouldn’t have to try to capture him again.

And at that thought his phantom right arm seemed to itch, as it sometimes would, to remind him of the first time he had to capture such a beast,  and what that took from him.

With any luck, those days were passed, and the beast would be dead.

With any luck.

(c) Helen M Valentina 2016

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